DirectorCristaux

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural. At the same time, the film contains a dialectical break that initiates other semantic directions in Hernandez's work. Under the influence of Michel NEDJAR, the filmmaker abandons his traditional method of editing based on rushes. The operation is now completed inside the camera, filming. This more flexible way of proceeding ("the camera must become a second eye") is already reflected in the clear openings of Lacrima Christi: the Christian myth seems to be on the way to exorcising. The pantheistic intoxication - close to that evoked by Nietzsche - seizes places, objects and participants.

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Teo Hernández profile

Teo Hernández — Director Wallpapers

Director · 11 films with wallpapers

Téo Hernández was born on December 23, 1939 in Ciudad Hidalgo, Mexico. After studying architecture, he founded with a friend the CEC (Centro Experimental de Cinematografia), in Mexico City. In 1960, the French Institute of Latin America financed the first project of the group, a documentary that will remain unfinished. He moved to Paris in 1966. From 1968 to 1975, he made films in super 8 in Lond…

Directed by Teo Hernández

Download backdrops from their filmography · 11 movies

Cristaux

Cristaux

Graal

Graal

Sacré-Coeur

Sacré-Coeur

Cristo

Cristo

Ad
Maya

Maya

Salomé

Salomé

Liberté provisoire

Liberté provisoire

Lacrima Christi

Lacrima Christi

14, Bina Garden

14, Bina Garden

Our Lady of Paris

Our Lady of Paris

Corps aboli

Corps aboli

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